AKTUELLES

 

 

ENGLISH


Biographie
 
 
Geboren 1966 in Landshut
 
 
AUSBILDUNG
 
1986-88
Lette-Verein Berlin, Berlin, Deutschland
1988-92
Fachhochschule Darmstadt, Deutschland
 
 
 
 AUSGEWÄHLTE EINZELAUSSTELLUNGEN
 
2008
Principles of Extraction, Pollock Gallery, Southern Methodist University, Dallas, Texas, USA
 
1892-2007, Von Lintel Gallery, New York, USA
2006
The problem with photography, Bernhard Knaus Fine Art, Mannheim, Germany
2005
Notes, Queries, Von Lintel Gallery, NY, NY
2004
(Outward Manifestations of) Something Else, Von Lintel Gallery, NY, NY
2003
And/Or, Clifford-Smith Gallery, Boston, MA
 
Excerpts, Van Every/Smith Galleries, Davidson College, Davidson, NC
2002
Errata, Traywick Gallery, Berkeley, CA
 
Observations in Color, Roth Horowitz, NY, NY
2001
Scale/6, The Balcony, Art Metropole, Toronto, Canada
 
Circa 1999, MIT List Visual Arts Center, Cambridge, MA
 
FAQs, Clifford-Smith Gallery, Boston, MA
2000
Tremors, Ephemera, Roth Horowitz, NY, N
 
Pattern and Practice, Traywick Gallery, Berkeley, CA
 
For Now, Esso Gallery, NY, NY
1999
Subject to Change, Hänel Gallery, Cape Town, South Africa
1998
Das Nacheinander der Dinge, Galerie Hänel, Frankfurt/Main, Germany
 
Next To Nothing, Gina Fiore Salon of Fine Arts, NY, NY
 
Tomorrow Never Comes, Richard Anderson Fine Arts, NY, NY
1997
E/Z, Halsey Gallery, School of the Arts, College of Charleston, Charleston, SC
 
Aufzeichnungen, Galerie Lichtblick, Cologne, Germany
 
Von Einem Tag Zum Andern, Kunsthaus Fischinger, Stuttgart, Germany
 
E/Z, Galerie Hänel, Frankfurt/Main, Germany
1995
Notizen aus dem abgelaufenen Beobachtungszeitraum, Galerie Hänel, Frankfurt/Main, Germany
1994
Sprachsturz, Museum für Kunst und Gewerbe/Forum Fotografie, Hamburg, Germany
 
Il Mondo Animale, Fotografie Forum Frankfurt, Frankfurt/Main, Germany
 
 
 
AUSGEWÄHLTE GRUPPENAUSSTELLUNGEN
 
2008
This Is Karate, Von Lintel Gallery, New York, USA ( Doppelausstellung mit Arnold Helbing)
2007
STATEMENT , Bernhard Knaus Fine Art, Frankfurt / Main
 
METHOD: Contemporary Abstract Photography, Ellen Curlee Gallery, St. Louis, MO
2006
Artist´s Choice. Herzog & de Meuron, Perception Restrained, Museum of Modern Art, NY
 
Paper, Traywick Contemporary, Berkley, CA
 
Intersections: Atlanta Collects Photography, High Museum of Art, Atlanta, GA
 
It’s Not a Photo, Chelsea Art Museum, NY, NY (curated by Manon Slome)
 
Home Is Where The Art Is, Neuberger Museum of Art, Purchase, NY
2005
Greater New York 2005, P.S.1 Contemporary Art Center, Queens, NY
 
FOCUS ON: New Photography, Norton Museum of Art, West Palm Beach, FL
 
Handmade, Wallspace Gallery, NY, NY (curated by Tim Davis)
2004
Reinstallation of the Collection, Museum of Modern Art, NY, NY
 
Editions Fawbush: A Selection, Sandra Gering Gallery, NY, NY
 
New Prints 2004/Autumn, International Print Center New York, NY, NY
 
Drawing a Pulse, Slusser Gallery, University of Michigan School of Art& Design, Ann Arbor, MI,
(curated by Sarah Wiideman)
 
Relating to Photography, Fotografie Forum International, Frankfurt am Main, Germany
 
Cameraless Photographs 1950-2004, Marcia Wood Gallery, Atlanta, GA (curated by Lisa Kurzner)
2003
Prima Facie, Nina Freudenheim Gallery, Buffalo, NY
 
Agitate – Negotiating the Photographic Process, SF Camera Works, San Francisco, CA
 
Visions and Revisions: Art on Paper since 1960, Museum of Fine Arts, Boston, MA
 
Abstraction in Photography, Von Lintel Gallery, New York, NY
 
In the Making: Contemporary Drawings from a Private Collection, University Gallery, Fine Arts Center,
University of Massachusetts, Amherst, MA
 
Up Close and Personal: A Collection of Minimalist and Figurative Drawings, Karolyn Sherwood Gallery, DesMoines, IA
2002
Gallery Artists, Traywick Gallery, Berkeley, CA
 
Copy, Roth Horowitz, NY, NY (curated by Neville Wakefield)
2000
Open Ends – Actual Size, Museum of Modern Art, NY, NY
 
A Decade of Collecting: Recent Acquisitions of Photographs, Fogg Art Museum at Harvard University, Cambridge, MA
 
Photography About Photography, Andrew Kreps Gallery, NY, NY (curated by Liz Deschenes)
1999
… Imagine!, Galerie Haus Schneider, Ettlingen/Karlsruhe, Germany
 
Barely There, Janet Borden Gallery, NY, NY
 
Low Tech, The Light Factory, Charlotte, NC
 
Marco Breuer and Ellen Carey, Traywick Gallery, Berkeley, CA
 
Phenomena, Ansel Adams Center for Photography, San Francisco, CA
1998
Selections from the Permanent Collection, San Francisco Museum of Modern Art, San Francisco, CA
 
Aspects of Photography, Esso Gallery, NY, NY
 
Photo- , Villa Minimo, Hannover, Germany (curated by Hlynur Hallsson)
 
Male, Wessel + O’Connor Gallery, NY, NY (curated by Vince Aletti)
1997
Kit, PS 122 Gallery, NY, NY (two person show with Steven Brower)
 
Diverse Visions//photographic perspectives, Pittsburgh Center for the Arts, Pittsburgh, PA
1996
Art On Paper 1996, Weatherspoon Art Gallery, University of North Carolina, Greensboro, NC
 
By Any Means, Montgomery Glasoe Fine Art, Minneapolis, MN
 
Der zerteilte Blick, DuMont Kunsthalle, Cologne, Germany
1996
The Nature of Light, Joyce Goldstein Gallery, NY, NY (curated by Michael Ward von Üchtrup)
 
Selections Summer ’96, The Drawing Center, NY, NY
 
Photoworks, Omni Gallery, Long Island, NY
 
Incestuous, Thread Waxing Space, NY, NY (curated by Carter Kustera and Tiong Ang)
1995
Fotofeis – Festival of Photography: Fairytaile in the Supermarket, Edinburgh, Scotland
 
Collaborations, Kamin Gallery, University of the Arts, Philadelphia, PA
 
Artist in the Marketplace, Bronx Museum of the Arts, Bronx, NY
1994
Autoparticulates, Metropolitan Transit Authority/Arts for Transit, NY, NY (installation with Steven Brower)
 
Photography in an Extended Field, White Columns, NY, NY (curated by Bill Arning)
 
Breuer/Chamber, changing installation in Chamber 2, NY, NY
1993
Deutsche Fototage – Festival of Photography: Borderlines and Ansichten von Alexandra S., Frankfurt/Main, Germany (Borderlines traveled to Neuer Berliner Kunstverein, Berlin, Germany, 1994)
 
Essential Material: Selected Book Projects at Dieu Donné Papermill, HarperCollins, NY, NY (traveled to Berkshire Museum, Pittsfield, MA, 1994
 
 
 
AUSGEWÄHLTE KURATORISCHE PROJEKTE
 
2008
The Innerworld of the Outerworld of the Innerworld, Von Lintel Gallery, New York, USA
2007
Train(s) of Thought, Art on Paper, Juli / August 2007, S. 38-47
2007
Drawing, Thinking, Von Lintel Gallery, New York, USA
2001
Marginalia (film screening), Millennium Film Workshop, NY, NY
1999
Spatial Interest, The Work Space, NY, NY
1998
Der Zweifel in der Darstellung, Villa Minimo, Hannover, Germany (curated with Hlynur Hallsson)
1997
Face Value, PS 122 Gallery, NY, NY
1996
Austerity Measures, 214 Lafayette, NY, NY (curated with Steven Brower)
 
 
 
JÜNGSTE ARBEITSAUFENTHALTE UND STIPENDIEN
 
2006
Simon Guggenheim Memorial Foundation Fellowship
2005
Creative Artists Exchange Fellowship, Japan-United States Friendship Commission /
National Endowment for the Arts
2004
Islip Art Museum – Carriage House Residency
2003
MacDowell Colony Residency
 
photo-eye Award – Best Photography Books of 2002 (for “SMTWTFS”)
2001
MacDowell Colony Residency
2000
Peter S. Reed Foundation Grant
 
MacDowell Colony Residency
 
 
ÖFFENTLICHE SAMMLUNGEN
 
Ackland Art Museum, University of North Carolina at Chapel Hill, NC
Albright-Knox Art Gallery, Buffalo, NY
Baltimore Museum of Art, Baltimore, MD
Davis Museum and Cultural Center, Wellesley College
Fine Arts Museums of San Francisco – Achenbach Collection, San Francisco, CA
Fogg Art Museum at Harvard University, Cambridge, MA
Fotomuseum im Münchner Stadtmuseum, Munich, Germany
George Eastman House, Rochester, NY
Milwaukee Art Museum, Milwaukee, WI
Museum of Fine Arts, Boston, MA
Museum of Fine Arts, Houston, TX
Museum of Modern Art, NY, NY
New York Public Library – Spencer Collection, NY, NY
Norton Museum of Art, West Palm Beach, FL
Princeton University Art Museum, Princeton, NJ
San Francisco Museum of Modern Art, San Francisco, CA
Spencer Museum of Art, Lawrence, KS
Staatsgalerie Stuttgart, Stuttgart, Germany
Yale University Art Gallery
 
 
AUSGEWÄHLTE BESPRECHUNGEN UND PUBLIKATIONEN
 
2008
Eric Bryant, "The New Abstract Photo", ARTNews, März, Ausgabe 107/Nummer 3, S. 106-113.
2008
Gil Blank, "Early Recording - Marco Breuer", Whitewall, Winter, issue 8, S. 6.
2008
Book: James Elkins "Six Stories from the End of Representation", Stanford University Press, S. 74-75, 77, 144.
2007
Rachel Churner, "Marco Breuer, Von Lintel Gallery", Artforum, November, S. 370.
2007
"Marco Breuer", The New Yorker, Goings On About Town, September 17, S. 17.
2007
"Marco Breuer - fig. 1-9," Blind Spot, Herbst/Winter, issue 36, Titelseite und S. 2-3, 6-15.
2007
Mark Alice Durant, "Marco Breuer - Surface Gesture", Gear Dave, Frühling, S. 46-55.
2007
Book: Marco Breuer - Early Recordings, Aufsatz von Mark Alice Durant, publiziert von Aperture, NY
2007
Jeffrey DeShell, "Notes, Queries on Marco Breuer's Notes, Queries,", English Language Notes, Fotografie und Literatur, Herbst/Winter 2006, S. 135-142.
2006
"Chelsea Art Museum - " It's not a Photo...," The  New Yorker, Art-Museums, August 28, S. 10.
2005
Vince Aletti, "Marco Breuer, Marked Up," The New Yorker, Critic's Notebook, 26. Dezember & 2. Januar, S. 34.
2005
Elisa Turner, "Behind the Lens", The Miami Herald,1. Mai, S. 3.
2005
Book: Gottfried Jäger, Rolf H. Krauss, Beate Reese (Ed.) "Concrete Photography", Kerber Verlag, S. 206-207.
2004
Christopher Chambers, "Marco Breuer - Von Lintel Gallery", Flash Art, März/April, S. 62.
2004
Farrah Karapetian, "Marco Breuer - (Outward Manifestations of) Something Else", The Brooklyn Rail. März, S. 14.
2004
Vince Aletti, "Marco Breuer", The Village Voice, Voice Choices - Short List, 25. Februar, S. 46.
2003
Dore Bowen, "Agitate - Negotiating the Photographic Process", Camerawork - A Journal og Photographic Arts, Frühling/Sommer, S. 6, 12, 16, 22-23.
2003
Exhibition pamplet: "In the Making: Contemporary Drawings from a Private Collection", ein Aufsatz von Betsy Siersma, University Gallery, Fine Arts Center, University of Massachusetts, Amherst, MA
2003
Tabloid Katalog: "Marco Breuer - Excerpts", Davidson College, Davidson, NC, 12 Seiten
2002
Jonathan Goodman, "Marco Breuer at Roth Horowitz" Art in America, Dezember, S. 112-113.